Passed along recently was a link to Immortal Technique’s “The Fourth Branch” set to a slideshow of war imagery. If you’re of the queasy sort, viewer discretion is advised. In a related vein, Skidmark Bob’s most recent episode of Pop Defect Radio, “A Day in the Life 2006,” lives up to its tagline in an especially metal flavor. Fellow talented splicer rx lays down faint funk around Martin Luther King, Jr’s “Beyond Vietnam” speech, resulting in“Rise Again” (9:56, 9.2 MB), making a piece first spoken 39 years ago (as of yesterday) sound like it’s talking about today.
The killer sampling documentary Copyright Criminals is nearing the final cut (view a 10-minute trailer). In the run-up to its release there’s been a remix contest utilizing samples from the documentary as well as from the musicians featured in it. The deadline for submissions has been extended to March 14.
The winning remix will be used in the final release of the documentary and 11 runners-up will be featured on a companion compilation CD. Kembrew McLeod, scholar/prankster extraordinaire, is one of Copyright Criminals’ producers – anyone working as hard as him to put the “ass” back into assistant professor is okay by me.
During the National Conference for Media Reform I was lucky enough to sit down and throw a few questions at FCC Commissioner Michael Copps in formal interview-style (24:52, 11.4 MB), courtesy of Free Speech TV producer Lee Buric and John Grebe (Sounds of Dissent). As you can hear, we basically took turns in the chair.
The interruption of Grebe’s line by Jordan Goldberg, Copps’ senior legal advisor, kind of threw things off and made my own lines of inquiry a bit more circumspect (IBOC, microradio, and the future of the Telecom Act). Grebe was trying to get at the translator speculation/trafficking controversy. I felt like Copps played an adroit politician, in that he didn’t give up any substantive information.