<?xml version="1.0" encoding="utf-8"?>
<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0">
  <channel>
    <title>DIYmedia.net News of the Moment</title>
    <link>http://diymedia.net/</link>
    <description>News of the moment from DIYmedia</description>
    <generator>Feeder 1.5.4(395) http://reinventedsoftware.com/feeder/</generator>
    <docs>http://blogs.law.harvard.edu/tech/rss</docs>
    <language>en-us</language>
    <copyright>Creative Commons for this binch. See http://creativecommons.org/licenses/by-nc-sa/2.5/</copyright>
    <managingEditor>phlegm@diymedia.net</managingEditor>
    <webMaster>phlegm@diymedia.net</webMaster>
    <pubDate>Sat, 05 Jul 2008 12:25:50 -0500</pubDate>
    <lastBuildDate>Sat, 05 Jul 2008 12:25:50 -0500</lastBuildDate>
    <atom:link href="http://diymedia.net/feed.xml" rel="self" type="application/rss+xml"/>
    <item>
      <title>WEFT Back to Full Power, Sounding Better Than Ever</title>
      <link>http://diymedia.net/archive/0708.htm#070508</link>
      <description><![CDATA[<p><p align="left"><font color="#000000" size="1" face="Verdana">Two days early, a crew of engineers and volunteers re-wired our transmission facilities to install WEFT's new 10,000-watt transmitter. Coverage has not only returned to normal, but increased slightly, and the fidelity provided by the solid-state unit we now have has noticeably improved our signal.</font></p>

<p><p align="left"><font color="#000000" size="1" face="Verdana">According to <a href="http://www.news-gazette.com/news/local/2008/07/03/weft_gets_full_power_from_new_transmitter">a story</a> in the daily newspaper, WEFT's station manager says we'll be &quot;raising funds to <a href="http://diymedia.net/archive/0608.htm#062708">replace more aging equipment</a> as well.&quot; Just in time for our <a href="http://weft.org/story/2008/07/02/weft-is-back-full-power">fall fundraising drive</a>....</font></p>]]></description>
      <pubDate>Sat, 05 Jul 2008 12:25:36 -0500</pubDate>
      <guid isPermaLink="false">weft-back-to-full-power-sounding-better-than-ever</guid>
    </item>
    <item>
      <title>Sampling Community Radio in Budapest</title>
      <link>http://diymedia.net/archive/0708.htm#070108</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">I just uploaded some <a href="http://www.flickr.com/photos/phlegm/sets/72157605919456569/">snaps to Flickr</a> from my May trip to Budapest, which includes a few photos of two of the community radio stations in the city that I had a chance to visit. </font></p>

<p><font color="#000000" size="1" face="Verdana">Through the fortuitous circumstance of happening upon a fellow Wisconsinite while attending the <a href="http://diymedia.net/archive/0608.htm#062308">ESF workshop</a> (Paul the Mediageek just <a href="http://radio.mediageek.net/?p=331">produced a show</a> of us discussing that event in greater detail), who was also very interested in community radio, we ended up making contact with representatives from two community stationsin Budapest, which we visited after the conference was over.</font></p>

<p><font color="#000000" size="1" face="Verdana">The first was <a href="http://www.civilradio.hu/">Civil Radio</a>, a forum specifically designed to <a href="http://www.civilradio.hu/akadalymentes/international.php">provide a voice for</a> &quot;the social life and civic associations of the districts [in which its 50-watt signal can be heard], analyses the contacts between local governments and civic organisations, and reports on different NGO-support systems developed by different democratic governments.&quot; The station's programming is an eclectic mix of public affairs - on the afternoon we arrived, a news-analysis program was just wrapping up, and some teenage girls were waiting outside the studio to speak for an hour on their own issues.</font></p>

<p><font color="#000000" size="1" face="Verdana">At the same time, Civil Radio is also attached to a local cultural center, and often broadcasts its events live. This gives local performers of all genres of music, theatre, and spoken word the chance to be heard in (most of) Budapest. The station is run on a shoestring budget, mostly by volunteers, and although it receives some government support its direct identification with and representation of Hungarian civil society makes its relationship with the authorities not as smooth as it might otherwise be.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Interestingly, Civil Radio broadcasts from a tower left over from the country's Communist rule. The tower happens to be located on land owned by the local water utility, which has no use for it, so the station appropriated it. The utility and station now have an informal agreement allowing the practice to continue.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">The second station we visited was <a href="http://www.radioc.hu/">Radio C</a>, which stands for &quot;cig&aacute;nyok,&quot; or &quot;Roma&quot; in Hungarian. Radio C represents the voice of the <a href="http://en.wikipedia.org/wiki/Roma_people#Hungary">Roma people</a>, a marginalized population found in all the countries of Europe and beyond (also referred to as &quot;gypsies&quot;). In Hungary, the Roma that we spoke with at the station characterize <a href="http://en.wikipedia.org/wiki/Roma_people_of_Hungary">their situation</a> as &quot;of your Blacks in the 1940s&quot; - ostensibly separate but equal, segregated, and treated with relative disdain by the rest of society.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Radio C is helping to lay the framework for what the Roma see as a bridge of understanding, justice, and eventual equality between themselves and the rest of Hungary - the station as foundation for a larger civil rights movement. Most Hungarians don't realize it, but much of their musical tradition stems from Roma culture; many of the country's most talented musicians happen to be Roma people. In this manner, the station serves a dual function: it is the quasi-official representation of Roma culture, but it also enlightens Hungarians more generally to the commonalities they all share but might not naturally recognize.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Radio C also makes sure it represents the voice of the Roma in civil discourse; the station began without a license after Hungary's capitalist transformation, but was begrudgingly legalized by the new government. Since then, the station has patiently and persistently leveraged its voice in order to gain access to and a place of power within society at large. The Hungarian government has reluctantly recognized the Roma as an important part of the country's civil and cultural heritage; some now serve in government; and the government itself has promised to fund Radio C directly (though it has yet to make good on this).</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Regardless, the station perseveres, though it's not quite clear just how. It has plenty of paid staff, but no real recognizably consistent income stream. Yet enough people obviously recognize the importance of the station and do whatever it takes to keep the lights on. In that sense, Radio C embodies the self-sustaining spirit of the Roma people themselves. It would seem to be paying off: the 10-kilowatt Radio C is the eighth-most listened-to station in Budapest, serves more then 250,000 online listeners a month, and has ambitious plans to extend its range with a network of stations throughout Hungary.</font>      
<br />      
<br /><font color="#000000" size="1" face="Verdana">The personalities of the Roma we met were amazingly affable and generous. Hank (the fellow Wisconsinite) and I were somewhat conspicuous in the neighborhood, but having the <a href="http://www.radioc.hu/munkatarsak/munkatarsak.html">Radio C folks</a> with us invoked magic acceptance by everyone we met. Many thanks especially to the station's general manager and operations director, Tivadar</font> <font color="#000000" size="1" face="Verdana">F&aacute;tyol and Ferenc Sz&eacute;n&aacute;si, for making us feel such at home.</font></p>]]></description>
      <pubDate>Tue, 01 Jul 2008 07:58:21 -0500</pubDate>
      <guid isPermaLink="false">sampling-community-radio-in-budapest</guid>
    </item>
    <item>
      <title>Mother Nature, Meet Rainy-Day Fund</title>
      <link>http://diymedia.net/archive/0608.htm#062708</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">For the last few weeks my home community radio station, <a href="http://www.weft.org/">WEFT</a>, has been <a href="http://diymedia.net/archive/0608.htm#061308">hobbling along</a> at reduced power, due to severe weather which fried our 20 year-old, 10,000-watt transmitter. Over the course of this time, the station's rented a 1,000-watt transmitter, bringing our effective radiated power up to about 1/5th of its licensed capacity. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Buying, shipping, and installing a 10,000-watt transmitter is not cheap (think approximately $60,000). Fortunately, because our old transmitter was insured and verifiably destroyed by an &quot;act of God&quot; (lightning/water damage), we should be receiving something around $27,000 in compensation. In conjunction with that, WEFT had a &quot;rainy-day fund&quot; set up shortly after we paid off the mortgage for our studio building more than 10 years ago. We paid off the mortgage early and saved the remainder. That fund has about $35,000 in it.</font>
<br />      
<br /><font color="#000000" size="1" face="Verdana">In a nutshell, it looks like WEFT will be back up to full-strength by July 4, <a href="http://www.bdcast.com/hierarchy/product.php?maj=104&sec=205&cls=352&prod=452&lang=ENG">sounding bigger and better</a> than ever, without taking a huge fiscal hit in the process. However, this incident has been a wake-up call to the station to <a href="http://www.rwonline.com/reference-room/feed-line/">review and inspect the rest of its transmission airchain</a>. This will be a multi-year project, and not without its own costs, but I hope we get cracking.</font></p>]]></description>
      <pubDate>Fri, 27 Jun 2008 17:06:38 -0500</pubDate>
      <guid isPermaLink="false">mother-nature-meet-rainyday-fund</guid>
    </item>
    <item>
      <title>Digital Radio Wobbles Around the World</title>
      <link>http://diymedia.net/archive/0608.htm#062308</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">Last month, I attended an <a href="http://www.flickr.com/photos/radiovibes/sets/72157605594612092/">exploratory workshop</a> hosted by the <a href="http://www.esf.org/activities/exploratory-workshops/workshops-list/workshops-detail.html?ew=6730">European Science Foundation</a> about the prospects of community media in a digitally-convergent communications environment. Not surprisingly, when one thinks &quot;community media,&quot; radio first comes to mind, and we represented in full: most of the 30 invitees to this workshop were <a href="http://www.freie-radios.de/">either</a> <a href="htttp://www.lora.ch/">involved</a> in <a href="http://www.amarc.org/index.php?p=International_Board_of_Directors&l=EN">radio</a> <a href="http://www.meccsa.org.uk/pgn/casestudies/coyer.html">activism</a> <a href="http://www.olon.nl/">and/or</a> <a href="http://www.communityfm.net/communityfm/story94.htm">regulation</a> in <a href="http://www.com.umontreal.ca/spry/spry-kj-e.htm">their</a> <a href="http://www.communitymedia.se/">respective</a> <a href="http://www.communitymedia.eu/peter_lewis.html">home</a> <a href="http://www.drace.org/">countries</a>.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">My personal mission was to warn as many other countries away from casting their fates with iBiquity's HD Radio platform, as it not only carries <a href="http://diymedia.net/archive/0608.htm#061808">a plethora</a> of technical risks, but it may <img src="http://diymedia.net/graphics/pdf.gif" width="14" height="15" border="0"><a href="http://diymedia.net/stuff/budapest0508.pdf">decimate community radio stations as we know them</a> (draft, not for publication). Fortunately, this was an easy job: the Europeans can see through the snake-oil that is HD Radio, and the general consensus of the workshop was that HD should be opposed at every step.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">However, this is not stopping iBiquity from trying to break into international markets: the company's received permission from the Mexican government to deploy HD-capable transmitters <a href="http://www.streetinsider.com/Press%2BReleases/Mexico%2BAuthorizes%2BTransition%2Bto%2BHD%2BRadio(TM)%2BBroadcasting%2Bfor%2BStations%2BWithin%2B320%2BKilometers%2Bof%2BCountrys%2BNorthern%2BBorder%2Bwith%2Bthe%2BU.S./3674614.html">along the U.S. border</a> (essentially for those Mexican stations that actually serve U.S. listeners); &quot;experimental&quot; FM-HD transmitters have been installed in <a href="http://blogs.rnw.nl/medianetwork/?p=4890">France</a> and <a href="http://www.manilastandardtoday.com/?page=goodLife3_july10_2007">The Philippines</a>; and other countries, such as <a href="http://www.lifepr.de/pressemeldungen/landeszentrale-fuer-medien-und-kommunikation-lmk-rheinland-pfalz/boxid-23463.html">Germany</a> and <a href="http://www.ibiquity.com/international/select_your_country/switzerland">Switzerland</a>, have actually conducted in-depth field tests of the HD Radio protocol. This even though some of these countries have already adopted digital radio transition plans, all of which use a <a href="http://en.wikipedia.org/wiki/Digital_Audio_Broadcast">much different</a> digital transmission protocol than iBiquity's proprietary system.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">So why is HD seeing the light of day overseas? There are a few major reasons. The first is that many countries, such as the newest (and aspiring) members of the European Union, like Slovenia and Macedonia, do not yet have formal digital radio transition policies in effect. iBiquity sees these as ripe markets, where the &quot;no-pain, some-gain&quot; mantra of HD's biggest selling-point may sway the less-informed. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Secondly, iBiquity may attempt to leverage <a href="http://www.globalexchange.org/campaigns/index.html">international trade law</a> (which has been primarily to reflect U.S. interests) in order to force countries to consider and/or adopt the HD standard as part of the benefits of globalization. The decision on whether or not a country adopts a new digital broadcast standard is made essentially by government fiat. iBiquity, I believe, hopes to get its foot in the door in other countries in order to turn to those nations which have not yet committed to a digital radio transition and say, &quot;Hey, you can't exclude our standard from consideration. If you do, we'll consider your transition-plan a violation of international 'free-trade' laws (presumably suggesting that the selection of a feasible, non-HD DAB infrastructure would constitute some sort of illegal 'government subsidy') and haul your ass in front of the World Trade Organization for damages.&quot; </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Such a threat may be enough to entice developing countries to at least give iBiquity a hearing; it is certainly a possible way for iBiquity to raise the funds it <a href="http://www.radioworld.com/pages/s.0100/t.12436.html">desperately needs</a> to stay in business, even if it doesn't further the technology's adoption. And it most definitely may be a tactic U.S. trade negotiators could consider: iBiquity is a wholly-owned U.S. corporate interest, and what's good for U.S. business is good for the country, after all.</font>      
<br />      
<br />
<font color="#000000" size="1" face="Verdana">But perhaps the most important thing I learned at the Budapest workshop is that many established countries, which settled upon digital radio transition plans many years before the U.S. did, are now rethinking their own initiatives. The problem is not inherent to any specific technology; it's due to the fact that no digital radio protocol exists which does things that citizen-consumers see as important enough to upgrade their receivers for. Although most &quot;first-world&quot; nations have already committed to a non-HD DAB rollout, many of them are finding it a tough go: DAB-compatible receiver sales are flat, and those who operate the DAB transmission networks in these countries are not providing a diversity and quality of programming which sets DAB apart from traditional analog radio services to entice listenership.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">For example, many countries are reconsidering their entire DAB strategies; Germany, for one, has decided to <a href="http://www.theregister.co.uk/2008/01/28/germany_switches_dab_off/">abandon</a> its original DAB technological platform and is now openly considering alternatives. And although HD is but one of several alternative DAB technologies now available, they all suffer from a common flaw. </font>
<br />     
<br />
<font color="#000000" size="1" face="Verdana">That flaw is relatively simple: <i>no digital radio technology has proven itself to be a worthy replacement to analog radio service</i>. Every DAB proponent has promised increased program diversity and higher audio fidelity; these are promises that have not been fully borne out in practice. Every DAB transmission protocol has run into some real-world technical difficulties which inhibit its quality of service. In addition, digital-capable receivers remain much more expensive than analog-only models. And the promises of &quot;new uses for radio,&quot; such as datacasting, are not catching fire as DAB proponents had hoped. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">This raises two very important questions: is radio even <i>ready</i> to go digital? If so, <i>what is the compelling reason? </i>Broadcasters look at developments such as wireless broadband access, satellite radio, and portable music devices as the killers of their present business-models. If people can receive a larger range of more compelling audio content from services and devices other than their local radio stations, then what value do those stations actually have? And if radio stations begin to devote their spectral allocation to the provision of services other than freely-available audio content, have they forfeited their primary reason for being?</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">It's quite a conundrum. If radio stations go digital, do they stick with being audio providers, or do they branch out into the provision of other services? And if they choose the latter, should we still call them radio stations? In this context, radio's digitalization calls the entire medium's identity into question. And this is a global phenomenon, irrespective of the DAB technology at hand.</font>
<br />      
<br /><font color="#000000" size="1" face="Verdana">The ESF workshop organizers will be publishing a &quot;scientific report&quot; on our findings within the next month or so. It should make for interesting reading.</font></p>]]></description>
      <pubDate>Mon, 23 Jun 2008 14:07:57 -0500</pubDate>
      <guid isPermaLink="false">digital-radio-wobbles-around-the-world</guid>
    </item>
    <item>
      <title>FCC to Consider Raising FM-HD Power Levels</title>
      <link>http://diymedia.net/archive/0608.htm#061808</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana"><a href="http://fjallfoss.fcc.gov/prod/ecfs/retrieve.cgi?native_or_pdf=pdf&id_document=6520014135">Documents</a> <a href="http://fjallfoss.fcc.gov/prod/ecfs/retrieve.cgi?native_or_pdf=pdf&id_document=6520014136">were</a> <a href="http://fjallfoss.fcc.gov/prod/ecfs/retrieve.cgi?native_or_pdf=pdf&id_document=6520014137">filed</a> <a href="http://fjallfoss.fcc.gov/prod/ecfs/retrieve.cgi?native_or_pdf=pdf&id_document=6520014138">with</a> <a href="http://fjallfoss.fcc.gov/prod/ecfs/retrieve.cgi?native_or_pdf=pdf&id_document=6520014139">the</a> <a href="http://fjallfoss.fcc.gov/prod/ecfs/retrieve.cgi?native_or_pdf=pdf&id_document=6520014140">agency</a> late last week by HD Radio's proprietor, iBiquity Digital Corporation, to allow FM-HD stations to increase the power of their digital sidebands by a factor of 10. The rationale behind this request is increasing <a href="http://www.rwonline.com/pages/s.0049/t.13597.html">field evidence</a> which shows that the digital portion of FM-HD signals <a href="http://www.hd-radio-home.com/hd-radio-signal-coverage.html">fails miserably</a> at matching increasing analog signal coverage, and the existing power level does not allow digital signals to <a href="http://diymedia.net/archive/0306.htm#032906">penetrate buildings</a> very well.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">This proposal does not come without risk; evidence of HD signals interfering with other stations is already well-known, <a href="http://diymedia.net/archive/1007.htm#101307">especially on the AM side</a>, and the Corporation for Public Broadcasting has completed a study that adds new information to the body of knowledge regarding FM-HD interference. Unfortunately, the results of this study have not yet been made public, though notably National Public Radio itself <a href="http://www.rwonline.com/pages/s.0049/t.14015.html">has not taken a position</a> on whether or not increasing the digital output of FM stations is a good idea.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">In the FM environment, increasing the power of digital sidebands contains two main risks: the first is increased <a href="http://diymedia.net/archive/1207.htm#122307">interference to nearby stations on the FM dial</a>, and the second is <a href="http://www.rwonline.com/pages/s.0049/t.12575.html">increased interference between the analog and digital signals</a> of an HD-capable radio station. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Whereas a digital FM-HD signal broadcasts at just 1/100th the power of its parent analog station, the relative power differential of the potentially-interfering digital signal to adjacent stations is large enough that any interference is, for now, very localized and not very noticeable. Allowing stations to broadcast a digital signal at 1/10th the power of its analog counterpart is a very different matter. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">For example, my community radio station, WEFT, typically broadcasts a 10,000-watt analog signal. Under current FCC rules, WEFT could broadcast a 100-watt digital signal in its sidebands. Under the proposed rule change, that digital signal's power could be increased to 1,000 watts. You can't get around the physics: if you increase output energy in the sidebands, you risk the potential to interfere at a greater magnitude to nearby stations. So far, this proposal to increase the FM-HD sideband power has only been tested in the lab, not the real world (<a href="http://diymedia.net/audio/mp3fcciboc.htm">sound familiar?</a>).</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Secondly, because the digital portion of an FM-HD signal, by design, <a href="http://diymedia.net/stuff/fmibochybrid.htm">encroaches on bandwidth</a> reserved for analog broadcasting, increasing the power of the digital sidebands also contains the potential for increased interference between a station's analog and digital signals. This typically manifests itself as a &quot;hissing noise&quot; or &quot;grunge&quot; heard when listening to an FM-HD station's analog signal. Again, there is no real-world evidence to suggest that this potential parasitic interference will not increase if FM stations raise their digital sideband power levels.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Why would radio stations would take the risk of degrading the quality of their existing analog service in order to pimp a flawed technology which nobody's listening to? It's almost as if the strategy of the HD Radio Alliance is to degrade analog radio service in order to force digital adoption - kind of a variant on the &quot;we had to destroy the village to save it&quot; rationale. </font>      
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Even though it supports this proposal, the National Association of Broadcasters is <a href="http://fjallfoss.fcc.gov/prod/ecfs/retrieve.cgi?native_or_pdf=pdf&id_document=6520028611">candid enough to admit</a> that raising the power of FM-HD sidebands &quot;may create new instances of interference in certain situations.&quot; In the same breath, however, the NAB says it's confident that the already-overworked FCC Enforcement Bureau can handle new interference complaints on a case-by-case basis as they arise, and concludes that &quot;the benefits to be gained for FM broadcasters and FM listeners will far outweigh the limited additional interference predicted by iBiquity&#8217;s studies.&quot;</font>      </p>

<p><font color="#000000" size="1" face="Verdana">It's anyone's guess as to when the FCC will consider this proposal, but if the history of the entire HD Radio rulemaking is any indication, the power increase will be rubber-stamped, and we will suffer the consequences as they unfold. </font></p>]]></description>
      <pubDate>Wed, 18 Jun 2008 21:06:11 -0500</pubDate>
      <guid isPermaLink="false">fcc-to-consider-raising-fmhd-power-levels</guid>
    </item>
    <item>
      <title>Truthful Translations +10</title>
      <link>http://diymedia.net/collage/truth.htm</link>
      <description><![CDATA[<font color="#000000" size="1" face="Verdana">Finally, all the legacy projects are back up-to-date. There's a wide range of target-subjects in this batch, ranging from Ronald Reagan and Ralph Nader to Barack Obama and the Dalai Lama, among others. Most are from the <a href="http://popdefectradio.blogspot.com/">usual</a> <a href="http://www.soundclick.com/bands/default.cfm?bandID=265163">suspects</a>, including the mercurial Ledit RenArt.</font>]]></description>
      <pubDate>Sat, 14 Jun 2008 22:37:31 -0500</pubDate>
      <guid isPermaLink="false">truthful-translations-+10-1</guid>
    </item>
    <item>
      <title>When Lightning Strikes</title>
      <link>http://diymedia.net/archive/0608.htm#061308</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">On Friday, May 30, my local community radio station, <a href="http://www.weft.org/">WEFT</a>, suffered a <a href="http://weft.org/organization/engineering">lightning strike</a> to its antenna tower. Although the tower's lightning protection system protected part of the airchain, it did not save it all: a critical piece of our 10,000-watt transmitter's innards got fried. Upon inspection, there also appeared to be water damage, with &quot;debris&quot; found inside the transmitter itself. Repairs have been unsuccessful.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Regionally, the Midwest is suffering from a particularly rough patch of <a href="http://www.spc.noaa.gov/climo/online/monthly/">severe weather</a>; WEFT is but one of many casualties to Mother Nature this summer. Typically, the weather extremes is one of the things that makes living here fun.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">For eight long days, WEFT was off the air. Thanks to some <a href="http://www.midwesttower.com/">charity</a>, the station is back - broadcasting with a borrowed 50-watt exciter. As a consequence, our <a href="http://weft.org/about/brief-history-weft">27 year-old</a> community radio station is now broadcasting with half the power of its <a href="http://www.wrfu.net/">newer sibling across town</a>. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">This weekend, WEFT will install a rented 1-kilowatt transmitter. That will give the station 10% of its effective radiated power. Hopefully, at least, we'll be able to hear our air signal in the main studio again.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">While the station is, in many respects, a community institution, it (like many other non-profit, volunteer-driven organizations) lives on the fiscal edge, just like the rest of America. Replacement of WEFT's transmitter was something we didn't budget for, and that expense is expected to be in the tens of thousands of dollars. Pledge drives are no picnic in a recessed economy, and they're 10 times more difficult when you're speaking at essentially 1/10th the volume. </font>
<br />      
<br /><font color="#000000" size="1" face="Verdana">Fortunately, we've got <a href="http://weft.org/get-involved/become-a-weft-member">the Internets</a>, but I doubt it will be enough. WEFT's engineering team and board of directors meet next week to figure out where we go from here.</font></p>]]></description>
      <pubDate>Fri, 13 Jun 2008 01:35:08 -0500</pubDate>
      <guid isPermaLink="false">when-lightning-strikes</guid>
    </item>
    <item>
      <title>FCC Enforcement Focus Diversifying?</title>
      <link>http://diymedia.net/archive/0608.htm#061108</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">When it comes to unlicensed broadcasting, I only monitor the FCC's activity against pirate AM, FM and shortwave stations. And as far as those areas are concerned, the FCC <a href="http://diymedia.net/fccwatch/eadsum08.htm">is on relative track</a> to meet its record-breaking enforcement effort of last year. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana"><a href="http://diymedia.net/fccwatch/ead.htm"><img src="http://diymedia.net/graphics/eadbyaction.gif" width="314" height="197" hspace="2" vspace="2" border="0" align="right"></a>However, the devil is in the details. As you can see from the breakdown of enforcement activity at right, nearly 80% of all FCC enforcement actions fall into the categories of station-visits and warning letters. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Fiscal penalties - of which the Enforcement Bureau always manages to issue a few - are not being used any <i>less</i>, but other, less forceful, methods of enforcement are most definitely being used <i>more</i>. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Although the FCC is getting more diligent about reducing the time between finding out about a pirate and making contact with the station, there is no obvious correlation between a diminution of stations on the air as a result.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">And a</font><font color="#000000" size="1" face="Verdana">lthough it is now official that the FCC <a href="http://media.www.thejackonline.org/media/storage/paper1142/news/2008/05/07/Community/Fcc-Monitors.Humboldt.Free.Radio.Alliance-3363326.shtml">does indeed use the Internet</a> to conduct surveillance on suspected pirates, there exists no correlation of efficacy regarding its <a href="http://diymedia.net/archive/0907.htm#091307">online pirate-reporting system</a>.</font> 
<br />           
<br />
<font color="#000000" size="1" face="Verdana">At the same time, the FCC's field agents have been on <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-281671A1.html">quite</a> a <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-281369A1.html">tear</a> against <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-281346A1.html">unauthorized</a> <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-281214A1.html">Citizen's</a> <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-281213A1.html">Band</a> radio and other <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-281670A1.html">two-way</a> <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-281673A1.html">land</a> mobile operation, and has even issued some warning letters to violators operating in unusual spectral territory, such as bands reserved for <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-281535A1.html">cellular telephony</a> and <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-281534A1.html">satellite communications</a>. There is even one $18,000 Notice of Apparent Liability pending against <a href="http://www.fcc.gov/eb/FieldNotices/2003/DOC-282166A1.html">someone</a> in west-central Florida (&quot;John Doe [Name Redacted&quot;] who sent out false maritime distress calls.</font>
<br />      
<br /><font color="#000000" size="1" face="Verdana">As a phenomenon, it would appear that unauthorized operation use is increasing, both in &quot;violation-frequency&quot; and across the spectrum. Barring a radical change in enforcement protocol (which appears unlikely), the only apparent result is an increase in field-agent paperwork. The real danger lies in whether or not the FCC lumps all pirates into the same category, making the illogical leap that because someone f*cks with CB or Coast Guard frequencies that somehow makes all FM pirates dangerous. As a <a href="http://diymedia.net/archive/0306.htm#032106">tactic tried before</a>, it certainly isn't out of the realm of possibility.</font></p>]]></description>
      <pubDate>Wed, 11 Jun 2008 23:58:03 -0500</pubDate>
      <guid isPermaLink="false">fcc-enforcement-focus-diversifying</guid>
    </item>
    <item>
      <title>Schnazz Update</title>
      <link>http://diymedia.net/schnazz.htm</link>
      <description><![CDATA[<font color="#000000" size="1" face="Verdana">I lost track of the links around four dozen: lots of news over the last two months, and a decent harvesting of interesting A/V material found online (Paul the <a href="http://radio.mediageek.net/">Mediageek</a> has been on a roll especially).</font>]]></description>
      <pubDate>Wed, 11 Jun 2008 20:17:22 -0500</pubDate>
      <guid isPermaLink="false">schnazz-update-3</guid>
    </item>
    <item>
      <title>Comcastic Adventures: Spiking Your E-Mail</title>
      <link>http://diymedia.net/archive/0608.htm#060908</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">It should come as no surprise that <a href="http://diymedia.net/archive/0208.htm#021508">my experience</a> as a Comcast broadband subscriber is matching up with many others: extra-sh*tty. Comcast has been flogged extensively elsewhere about its draconian &quot;bandwidth management&quot; techniques - <a href="http://arstechnica.com/news.ars/post/20071021-comcast-traffic-blocking-even-more-apps-groupware-clients-affected.html">throttling some traffic</a>, <a href="http://radio.mediageek.net/?p=314">blocking others</a>, and <a href="http://blog.wired.com/27bstroke6/2008/06/comcast-beginni.html">now testing</a> new technologies in preparation for implementing this <a href="http://www.freepress.net/node/41191">non-neutral network management</a> practice nationwide. And <a href="http://www.savetheinternet.com/blog/2008/05/15/the-internets-wannabe-gatekeepers-comcast-now-cox/">Comcast is not alone</a> in this trend.</font></p>

<p><font color="#000000" size="1" face="Verdana">My problem with Comcast, however, has had nothing to do with BitTorrent, Skype, Gnutella, or Lotus Notes. It has everything to do with the most important application for which I use the Internet - e-mail.</font></p>

<p><font color="#000000" size="1" face="Verdana">The problem began a couple of months ago, when those of us in Champaign-Urbana began to be assimilated into the larger Comcast network-borg. I expected an increase in intermittent service outages, but I did not expect my e-mail to stop coming in. But it did, and after two months of sleuthing with Comcast's evasive and mostly-impotent technical support, I think I have figured out the problem.</font></p>

<p><font color="#000000" size="1" face="Verdana">My main e-mail address - the one you can find all over this site - is not the e-mail address that I use to technically send and receive messages. Rather, it is a &quot;transparent alias&quot; - I've set up a single e-mail address on diymedia.net (mine), and <i>that</i> address is set to forward to whatever Internet service provider I have. Therefore, when I do things like, say, move, I don't have to send out mass-mails to everyone in my address book, asking them to update my contact information. As far as the world is concerned, I'm phlegm@diymedia.net, and I always will be. </font></p>

<p><font color="#000000" size="1" face="Verdana">Since I've set up this web site, I've moved three times and changed ISPs three times. Each time I got a new e-mail address, I simply went into diymedia.net's administrative controls and changed the ultimate forwarding destination for &quot;phlegm.&quot; Then, I use a mail client (Mac Mail) to pull the messages off my ISP's POP server and send replies through their SMTP server. To the world, my return address never changes - but the network through which I send and receive e-mail does.</font></p>

<p><font color="#000000" size="1" face="Verdana">After Comcast informed us in Champaign that we were to set up our new comcast.net e-mail addresses,I followed the company's instructions, and made the forwarding change here. Everything worked fine for about a week - then, suddenly, I no longer received any e-mail. I have a backup (and very kludgy) webmail interface on diymedia.net (to check messages from the road, as I own no laptop), and I noticed that shortly after my mail stopped I began receiving bounce-back messages from mail.comcast.net. My public e-mail address had been &quot;blocked for spam.&quot;</font></p>

<p><font color="#000000" size="1" face="Verdana">I can understand how an ISP may suspect this. Because I'm old-school and make my e-mail address not only publicly available, but clickable, it is both a magnet for spam <a href="http://en.wikipedia.org/wiki/E-mail_address_harvesting">address-harvesting</a> bots and a victim of <a href="http://kb.gearhost.com/article.aspx?id=10056">spam address-spoofing</a>. On regular days, it's not uncommon for me to receive more than 100 messages, many of them spam. On bad days, I can be flooded with up to 2,000 e-mails in 24 hours, for as long as a week - many of them bounce-backs from a spammer who's appropriated my e-mail address as his/her &quot;reply-to&quot; contact info for hawking porn, dubious health remedies, and enticements to watch tantalizing celebrity videos that contain a link which actually opens dozens of pop-up advert-windows. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">As much of a hassle as this can be, e-mail, relative to many other Internet communication protocols, is not bandwidth-intensive: 2,000 e-mails take up less bandwidth than a single, medium-quality MP3 file, and e-mail messages come in trickles and waves - it is not a constant-use application, file filesharing or streaming media. With prior ISPs, I simply filtered out all the junk locally (Mac Mail is really good at that). Any reasonable ISP has more than enough capacity to handle such detritus. The problem is, Comcast is not a reasonable ISP.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">I've worked with Comcast tech support repeatedly, getting them to un-block the IP address from which diymedia.net originates (it's as simple as changing a single line in a text file in the spam-filter on Comcast's mail servers). Which has worked - but only temporarily. Depending on my inbox-flow at the time, Comcast automatically re-blocks messages from diymedia.net within a matter of hours or days. The problem is thus fixable - but it keeps coming back.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">This leads me to one conclusion: Comcast has a metric for what it considers &quot;appropriate use&quot; of its e-mail addresses, and if you receive more than X amount of messages from a single external address in Y amount of time, incoming messages from that address become automatically blocked as spam. In a nutshell, the stream of messages from phlegm@diymedia.net to my Comcast address keeps tripping an auto spam-block rule in Comcast's mail system. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">It is not a block driven by simple capacity - a single comcast.net e-mail address is allocated up to 250 megabytes of storage space, enough for hundreds of thousands of e-mail messages. I get nowhere near that particular limit.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Therefore, this is not a technical issue; it is one of network management policy. Unfortunately, it may <a href="http://www.newswithviews.com/NWVexclusive/exclusive111.htm">simply be</a> <a href="http://www.hvcn.org/comcast.html">par for the course</a> for Comcast. But it's a troublesome twist on the principle of network neutrality for two reasons. The first is that e-mail, as described above, is not a bandwidth-intensive use of network capacity. If Comcast can't handle, on average, a few hundred e-mails coming into a single inbox, then its network capacity is much more strained than any of us realize.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">The second problem is that Comcast has set an arbitrarily low metric for what it considers to be &quot;acceptable use&quot; of its e-mail service. What if you're a <i>real</i> celebrity, the kind that has to employ people to answer your fan-mail? Obviously, Comcast is not for you (and on that, at least one of the company's tech-support folks and I agree). </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">I spent an hour and 17 minutes on the phone with Comcast one last time today to see if I could get an answer to my question about the metrics of their e-mail and spam-blocking policy. To no surprise, there is no answer. &quot;The folks in the back are really busy,&quot; said the very helpful man I spoke with, who generated yet another trouble-ticket, this time with a note that someone involved in Comcast's mail network-management department should contact me to discuss this further.</font>
<br />      
<br /><font color="#000000" size="1" face="Verdana">I'm not holding my breath. Instead, I'm unfortunately considering <a href="http://diymedia.net/archive/0107.htm#010907">switching back to the Death Star</a>, as Comcast and AT&amp;T are the only two ISPs in my market. AT&amp;T may <a href="http://w2.eff.org/legal/cases/att/faq.php">snoop on me</a>, but since a majority of Internet traffic transits at least one AT&amp;T router, it already does; at least it has the capacity to handle such a simple service.</font></p>]]></description>
      <pubDate>Mon, 09 Jun 2008 21:57:07 -0500</pubDate>
      <guid isPermaLink="false">comcastic-adventures-spiking-your-email</guid>
    </item>
    <item>
      <title>(Not Quite) Back From the Dead</title>
      <link>http://diymedia.net/archive/0608.htm#060408</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">It's been a long, difficult academic year, but it was successful: I'm now <a href="http://diymedia.net/cv.htm">all-but-dissertation</a> and have given myself two years to complete the research I came here to do. Over the next week I'll <a href="http://diymedia.net/schnazz.htm">update</a> the <a href="http://diymedia.net/fccwatch/ead.htm">legacy</a> <a href="http://diymedia.net/collage/truth.htm">projects</a> on this site, and hopefully over the month I'll get back into the swing of regular analysis. </font>      
<br />      
<br />
<font color="#000000" size="1" face="Verdana">I have learned some important lessons this year.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">The overarching one is that the media reform movement, as embodied by its main standard-bearer, <a href="http://www.freepress.net/">Free Press</a>, is dangerously toying with hubris. This is, unfortunately, best-exemplified by the behavior of two of the organization's most prominent members: founder and past-president Robert McChesney and executive director Josh Silver.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Bob had been my academic advisor. Although he professionally resides at the University of Illinois (albeit now in a different department than mine, for reasons that are too complicated to explain), he's for all intents and purposes not really here, except for the days when he <i>has</i> to be here. Bob's now living in Madison, Wisconsin, about 250 miles up the road. You may listen to his oft-enlightening weekly radio program, <i><a href="http://will.illinois.edu/mediamatters">Media Matters</a></i>, which originates from our university's public radio station. To the listener, the show sounds &quot;live and local,&quot; but he's actually &quot;phoning it in&quot; over an ISDN line from his basement in Madison. The miracles of modern broadcast technology cut both ways.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">In the context of being a doctoral student, when your advisor is not around, it complicates what is already a formidably stressful situation. Bob and I did most of our communication over e-mail, which was awkward, to put it mildly. Simply put, when it comes to advising graduate students, you can't just phone it in. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">The formal inquisition of my doctoral studies to-date took place on May 6th. The weekend before, Bob e-mailed me with a concern about the manner in which I answered his preliminary exam question (in the process of answering it, I disputed its premise). After what I thought was a relatively benign
<br />exchange, the day before my defense I received an e-mail excoriating me for essentially questioning Bob's intellectual integrity. Without any rational explanation, other than that I had the audacity to challenge his frame of thinking about the subject on which he
<br />was testing me, he declared his intent to resign from my committee effective the minute my defense was complete. The matter was non-negotiable. He actually waited until the following day.</font> <font color="#000000" size="1" face="Verdana"></font>      
<br />      
<br />
<font color="#000000" size="1" face="Verdana">It could have been much worse. Bob could have torpedoed the entire process for my perceived intransigence, which would have effectively flunked me out of school, or forced me to start the entire prelim ordeal from scratch. But being dissed by one of the great minds in your field of study still stings, and I'm left to find a replacement member to fill out my dissertation committee.</font>      
<br />      
<br />
<font color="#000000" size="1" face="Verdana">That was the second important lesson learned. </font><font color="#000000" size="1" face="Verdana">The transformation of activist scholarship into applied, practical movement-building use is not easy, and Bob McChesney is one of the lucky few to have been talented enough at the right time to create something special. We are, indeed, in the midst of a new critical juncture, which reaches far beyond our media environment. However, it still is a singular accomplishment in the context of a larger struggle. The fact that our work may have helped to create such an opportunity is not even half the battle.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">That being said, professors have four major duties: research, teach, advise students, and participate in departmental/public service. The latter two are important because they help build and sustain a community in which scholarship may flourish and be made useful to the public at large. They are also no less important than the former two duties, which are the ones most publicly acknowledged. It may be technically tenable to shirk one duty by overcompensating in another, but it is not ethically so.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Whereas Bob and I parted on amicable terms, I have no love lost for Josh Silver, the executive director of Free Press. A friend and colleague spent more than two years working for the organization, building and maintaining a <a href="http://live.freepress.net/ownership">multitude</a> <a href="http://www2.freepress.net/statetracker/">of</a> <a href="http://www.freepress.net/communityinternet/">valuable information resources</a>. Last month, after weeks of mangled communication involving Free Press' exploding bureaucracy, Mr. Silver summarily terminated her.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">My colleague has received nothing but glowing praise from the Free Press staffers she's worked with directly, yet Mr. Silver declared her work was of &quot;average quality&quot; and she &quot;rarely demonstrated an 'I'll do whatever it takes to get it done' attitude, which is the driving M.O. for this organization.&quot; No evidence, no explanation. Also, a useful excuse - one that employment law generally defines as &quot;wrongful dismissal.&quot;</font>      
<br />      
<br />
<font color="#000000" size="1" face="Verdana">But it didn't stop there. When concern was expressed to Mr. Silver about the way Free Press had handled the situation, he shot back quite the retort.</font>
<br />      </p>
<blockquote>
<p><font color="#000000" size="1" face="Arial">I would much rather risk alienating you than fail to maintain the expectation of excellence that has launched Free Press into a formidable national force. If you&#8217;re impugning my leadership of this organization, I think you'll have a steep and lonely challenge that will not have a positive net effect for you. </font>
<br />
</blockquote></p>

<p><font color="#000000" size="1" face="Verdana">Translation: &quot;F*ck with me, and you'll never work in this town again.&quot; Not the type of response you expect from the grinning, boyish, well-coiffed mug <a href="http://www.huffingtonpost.com/josh-silver">featured regularly</a> in the <i>Huffington Post</i>. And definitely not the proper response from someone working to build a democratic, inclusive movement that is still fighting defensive actions and cannot afford to alienate its most natural allies. It is despicable.</font>
<br />  
<br />
<font color="#000000" size="1" face="Verdana">Please allow me to be clear. T</font><font color="#000000" size="1" face="Verdana">his is not a blanket indictment of Free Press. There are some wonderfully talented, committed, and honest people working for the organization, which in and of itself continues to do good works. I use FP research and reportage in my classes, more often than Bob's own books. But the organization is growing at such a rate right now that the <i>evidence of institutional expansion</i> is being internally translated in its upper echelon as external power, and that's a premature assumption.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">These are the primary reasons why I'm not attending this weekend's <a href="http://www.freepress.net/conference/">National Conference for Media Reform</a> in Minneapolis. I realize I'm missing out on the chance to meet and learn from from some truly good-hearted people, engaged in real change for media democracy. I know I'll definitely be missing an A-list progressive love-fest of the highest order. But it's time to take a break from that scene.</font> 
<br />     
<br />
<font color="#000000" size="1" face="Verdana">I'm way past tired of the egos and the gold-digging. This is a lesson I already knew, but had painfully reinforced this academic year. Activism is not a career-choice, it's a vocation. You don't fight your battles to work your way up a ladder to secure stature, notoriety, and <i>a place of power within the status quo</i>. You fight your battles and hope that your knowledge, talent, and drive will sort out the rest to let you live to continue fighting. You may not ever see the change you seek, but there is value in the struggle.</font>      
<br />      
<br /><font color="#000000" size="1" face="Verdana">Free Press and its ilk, while a necessary part of the process of reforming the U.S. media environment, do not represent the end-state. The media reform movement itself is just one larger aspect of contemporary life-struggle. Losing sight of these truths opens the door to mistakenly aligning your priorities to perpetuate the very problems you purport to seek change.</font></p>]]></description>
      <pubDate>Wed, 04 Jun 2008 15:59:04 -0500</pubDate>
      <guid isPermaLink="false">not-quite-back-from-the-dead</guid>
    </item>
    <item>
      <title>Hiatus Ahoy: Notes While Away</title>
      <link>http://diymedia.net/archive/0308.htm#033008</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">My work online here will significantly slow down over the next couple of months, as I enter the most critical phase of my <a href="http://diymedia.net/cv.htm">graduate studies</a> to-date. Once I hopefully become ABD (&quot;all but dissertation&quot;) in early May, some of the pressure ease. But then I'm immediately leaving the country for an <a href="http://www.esf.org/activities/exploratory-workshops/social-sciences-scss/workshops-detail.html?ew=6730">exploratory workshop</a> hosted by the European Science Foundation on the impact of digitalization with regard to community media. As one a handful of non-EU &quot;experts&quot; invited to the event, I expect my role will primarily be to warn other countries in the midst of formulating, adopting, or modifying digital radio standards to <a href="http://diymedia.net/archive/0208.htm#021008">stay as far away</a> from iBiquity's HD protocol as they possibly can.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">E</font><font color="#000000" size="1" face="Verdana">xpect &quot;regular&quot; content-generation to resume sometime in late May or so. I made updates to the <a href="http://diymedia.net/schnazz.htm">Schnazz</a>, <a href="http://diymedia.net/collage/truth.htm">Truthful Translations</a>, and <a href="http://diymedia.net/fccwatch/ead.htm">Enforcement Action Database</a> over the weekend, so those are up to date, at least in the near term. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">In the meantime, keep an eye on these stories: </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">1. What the f*ck's going on at the FCC? The hubris of current Chairman Kevin Martin apparently permeates so much of the agency now that career-level (read: non-politically motivated) FCC employees are nearing mutiny. <a href="http://arstechnica.com/news.ars/post/20080316-fcc-insider-this-place-is-hell-silent-protest-planned.html">According to Matthew Lasar</a>, unnamed staffers complain of a hyper-politicized work environment, where basically anything and everything must be cleared through the Chairman's office. On the third anniversary of his tenure earlier this month, some staffers dressed in black in &quot;silent but expressive&quot; protest.</font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Meanwhile, those FCC employees that are doing good work go <a href="http://spectrumtalk.blogspot.com/2008/03/excellence-in-engineering-why-secrecy.html">nearly unrecognized</a>. It's funny that nearly half the awards given out this year for &quot;Excellence in Engineering&quot; among FCC staff went to people in the Enforcement Bureau. The EB just got <a href="http://www.gao.gov/cgi-bin/getrpt?GAO-08-125">kicked in the nuts</a> by the Government Accountability Office for its abysmal enforcement record: according to <a href="http://www.news.com/8301-10784_3-9893451-7.html?tag=nefd.top">one summary</a> of the GAO report, which examined agency enforcement efforts between 2003 and 2006, only about 10% of all complaints against entities the FCC regulates were actually investigated, and 83% of those cases were closed without action. </font>
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Of those actions taken by the Enforcement Bureau that include the category of broadcast license enforcement (&quot;All other investigations&quot;), a total of 9,800 cases fell under the GAO's gaze. Of these, the GAO was unable to determine if any enforcement action occurred 24% of the time, and a full 65% of these investigations were closed with no action taken. In summary: 10% of all Enforcement Bureau-related cases that may possibly even remotely involve pirate radio actually result in punitive action. The paper tiger remains in full effect.</font>      
<br />      
<br />
<font color="#000000" size="1" face="Verdana">Two key pieces of prose from the GAO report stand out, as they are apropos to FCC enforcement vis-&agrave;-vis microradio:</font></p>
<p><blockquote><font color="#000000" size="1" face="Arial">While FCC assesses the impact of its enforcement program by periodically reviewing certain program outputs, it lacks the management tools needed to fully measure its outputs and manage its program. Specifically, FCC&#8217;s Enforcement Bureau has not set specific enforcement goals, developed a well-defined enforcement strategy, or established performance measures that are linked to the enforcement goals. FCC measures outputs, such as the extent to which it takes enforcement action within its statute of limitations requirement for assessing fines or the time it takes to close investigations, but it does not measure outcomes such as the effects of its enforcement actions on levels of compliance in certain areas. </font> </blockquote>
<br />
<font color="#000000" size="1" face="Verdana">Also:</font></p>
<p><blockquote><font color="#000000" size="1" face="Arial">Enforcement Bureau officials told us that the bureau has not set specific goals and performance measures because its priorities are constantly changing. Officials explained that the Enforcement Bureau is responsive to a number of stakeholders&#8212;Congress, Commissioners, the public&#8212;and the priorities of those stakeholders change. In addition, the Enforcement Bureau is responsible for enforcing a wide range of rules and issues, and current enforcement priorities may not be future enforcement priorities. </font></blockquote>   
<br />
<font color="#000000" size="1" face="Verdana">Over on Capitol Hill, it would appear that the House Commerce Committee - one body of Congress with direct oversight of the FCC - is actively seeking Chairman Martin's head. The Committee's <a href="http://www.rcrnews.com/apps/pbcs.dll/article?AID=/20080313/SUB/840287178/1011/newsletter50">filed a massive request for documents</a> from the agency, concerned about claims that Martin's management style is so politically-tainted to the point of being arbitrary and capricious. Most of the requested information involves Martin's specific management of agency staff and resources.</font>
<br />      
<br /><font color="#000000" size="1" face="Verdana">2. Interference between LPFM stations and FM translators is a growing concern, with real-world implications. One of those currently suffering is Brad Johnson, founder of <a href="http://www.partytown.com/kqrp/">KQRP-LP</a> in Salida, California. Paul the Mediageek <a href="http://radio.mediageek.net/?p=316">recently interviewed Brad</a> about how KQRP's signal is getting stomped from all sides: first by full-power FM stations on nearby channels, but now, especially, by a newly-installed <a href="http://diymedia.net/feature/lpfm/f022505.htm">godcaster</a>        (broadcasting <a href="http://diymedia.net/archive/0907.htm#091007">Calvary Satellite Network</a> programming, natch) operating on KQRP's first-adjacent frequency. As Paul and Brad mentioned during their conversation, the FCC is <a href="http://www.prometheusradio.org/take_action">currently deliberating</a> changes that might ameliorate this problem, but in the interim folks are getting screwed.</font></p>]]></description>
      <pubDate>Sun, 30 Mar 2008 08:54:18 -0500</pubDate>
      <guid isPermaLink="false">hiatus-ahoy-notes-while-away</guid>
    </item>
    <item>
      <title>Truthful Translations +10</title>
      <link>http://diymedia.net/collage/truth.htm</link>
      <description><![CDATA[<font color="#000000" size="1" face="Verdana">In part, I'm actually clearing out a bit of backlog from late last year, but fear not, for it includes choice bits, like most of <a href="http://www.waxaudio.com.au/">Wax Audio</a>'s latest album, <i>Cut, Paste, and Run</i>, and a new Commander & Chief episode from <a href="http://popdefectradio.blogspot.com/">Skidmark Bob</a>.</font>]]></description>
      <pubDate>Sat, 29 Mar 2008 11:27:30 -0500</pubDate>
      <guid isPermaLink="false">truthful-translations-+10</guid>
    </item>
    <item>
      <title>Schnazz Update</title>
      <link>http://diymedia.net/schnazz.htm</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">Nearly three dozen links this time 'round, mostly news in textual and audio form.</font></p>

<p><font color="#000000" size="1" face="Verdana">This is a first in a series of site updates to take place this weekend, as I prepare to embark on another hiatus: I have my final preliminary exam to take, a dissertation proposal to write, and must defend those and all my other work to-date in order to remain in grad school. This "ABD" decision process will conclude in early May. Then, immediately, I'm heading abroad for a conference.</font></p>

<p><font color="#000000" size="1" face="Verdana">So, get your fix now, because the next one probably won't be ready for another couple of months.</font></p>]]></description>
      <pubDate>Fri, 28 Mar 2008 22:17:08 -0500</pubDate>
      <guid isPermaLink="false">schnazz-update</guid>
    </item>
    <item>
      <title>Broadband in America: Freedom of Choice?</title>
      <link>http://diymedia.net/archive/0208.htm#021508</link>
      <description><![CDATA[<p><font color="#000000" size="1" face="Verdana">About a year ago, I dumped my AT&amp;T DSL connection in favor of our local cable broadband provider, <a href="http://www.insightbb.com/">Insight Communications</a>. I did so because AT&amp;T <a href="http://diymedia.net/archive/0107.htm#010907">failed to follow through</a> on one of its promises made when it bought BellSouth - that customers could receive discounted, DSL-only service (without the need to have phone service bundled in). Needless to say, I was very happy to leave the orbit of the <a href="http://adam.gillitt.com/archives/2005/11/destroying_the_death_star.php">Death Star</a>, and even happier to have a locally-accessible alternative.</font></p>

<p><font color="#000000" size="1" face="Verdana">You can imagine my dismay when I read last spring that <a href="http://www.news.com/2100-1036_3-6172636.html">Comcast declared its intent to buy out Insight</a>, and recently I received a letter in the mail informing me that I would officially become a Comcast customer in short order.</font></p>

<p><font color="#000000" size="1" face="Verdana">Although AT&amp;T may be bureaucratically and technically inept, Comcast is the most aggressively arrogant of the broadband-trust bunch. For example, the company's instituted mysterious &quot;<a href="http://www.consumeraffairs.com/news04/2007/08/comcast_ban.html">bandwidth caps</a>&quot; on users who use &quot;too much&quot; of their connections, and has now been <a href="http://www.savetheinternet.com/blog/2008/02/15/comcasts-closed-internet/">conclusively indicted</a> in the court of public opinion for interfering with and/or cutting off the connections of customers who use applications Comcast doesn't like, such as peer-to-peer and video-streaming software - even business-friendly applications like <a href="http://www.informationweek.com/blog/main/archives/2007/10/comcast_is_bloc.html">Lotus Notes</a>.</font></p>

<p><font color="#000000" size="1" face="Verdana">So, upon formal notice that I was now, for all intents and purposes, another one of Comcast's bitches, I called the company's customer support system (1-800-COMCAST) to ask three simple questions:</font></p>

<p><font color="#000000" size="1" face="Verdana">1. What is the &quot;mystery bandwidth cap&quot; which I must not exceed to lose my service? </font></p>

<p><font color="#000000" size="1" face="Verdana">2. Can I use peer-to-peer software on my Comcast connection if I am using it for legitimate purposes, such as sharing music I made myself that has no copyright?</font></p>

<p><font color="#000000" size="1" face="Verdana">3. Will Comcast's <a href="http://www.savetheinternet.com/blog/2008/02/06/comcast-new-terms-of-service-recipe-for-discrimination/">terms of service</a> prohibit me from publicly disparaging the company at the risk of losing my Internet connection, as <a href="http://arstechnica.com/news.ars/post/20070930-att-threatens-to-disconnect-subscribers-who-are-critical-of-the-company.html">AT&amp;T has previously tried to do</a>?</font></p>

<p><font color="#000000" size="1" face="Verdana">My first call to Comcast got me transferred to six different departments, none of whom could answer my questions. Upon the sixth transfer, I was put into Comcast's &quot;circular hold&quot; file, where I waited for ~30 minutes before hanging up.</font>      </p>

<p><font color="#000000" size="1" face="Verdana">I called again. This time I was only transferred twice, to someone in &quot;Internet tech support,&quot; who informed me that, indeed, the use of peer-to-peer and other software is <b>prohibited</b> on Comcast's network. My specific question was, &quot;If I use peer-to-peer software to share information that is NOT copyrighted, can you put a notation on my account or something to stop your network security people from resetting or otherwise interfering with my connection?&quot; The Comcast representative's answer was, &quot;No.&quot; So I followed up: &quot;Does this explicitly mean that the use of such software is prohibited on your network?&quot; The answer: &quot;Yes.&quot; </font>      </p>

<p><font color="#000000" size="1" face="Verdana">This is new: in the past, Comcast has publicly reserved the right to &quot;shape&quot; or &quot;throttle&quot; network traffic in order to reduce &quot;network congestion,&quot; but this is the first I've heard of a Comcast rep telling a customer NOT to use peer-to-peer software AT ALL. </font></p>

<p><font color="#000000" size="1" face="Verdana">I then asked (again) about Comcast's mystery bandwidth cap. And again, I was transferred several times, eventually to a woman who told me there WAS a cap, but she didn't know what it was, especially since I was a newly-assimilated Comcast customer. This leads me to believe that Comcast's bandwidth cap is <i>variable</i>, depending on which portion/region of Comcast's network you're connected to, and whether or not that portion of their network is robust enough to handle heavy traffic.</font>      </p>

<p><font color="#000000" size="1" face="Verdana">Finally, I asked the woman if she could answer a terms-of-service question. She told me to hold again - and then hung up on me.</font>      </p>

<p><font color="#000000" size="1" face="Verdana">Comcast and AT&amp;T are not alone in <a href="http://askaninja.com/news/2006/05/11/ask-a-ninja-special-delivery-4-net-neutrality">shredding</a> Internet freedom so blatantly now: Time-Warner is trial-testing <a href="http://www.savetheinternet.com/blog/2008/01/17/time-warner%E2%80%99s-metered-pricing-not-the-solution/">metered bandwidth usage</a>, and <a href="http://www.consumeraffairs.com/news04/2007/09/verizon_abortion.html">Verizon</a> and <a href="http://paulsblog.pulver.com/archives/2006/03/dick_notebaert.html">Qwest</a> aren't exactly friendly to the principle of network neutrality, either. At a time in our nation's history when &quot;freedom of choice&quot; has been conflated to something akin to a Constitutional right, the country's broadband environment belies the hype.</font></p>]]></description>
      <pubDate>Fri, 15 Feb 2008 15:48:07 -0600</pubDate>
      <guid isPermaLink="false">broadband-in-america-freedom-of-choice</guid>
    </item>
  </channel>
</rss>