Occupy the Airwaves

Two decades ago, thousands of people took to the air without permission from the FCC to protest the agency’s draconian policies regarding access to the airwaves. The microradio movement conducted a campaign of electronic civil disobedience, demonstrating that there was plenty of space on the dial for community radio while illustrating just how enriching local access to the airwaves can be. The end result of this campaign was the creation of the LPFM service.

Today, more than 10 years on from LPFM’s inception, unlicensed broadcasting remains alive and well, although the act is not as explicitly politicized as it once was.

This could change. Read More

The History of LPFM

What is LPFM?

LPFM stands for Low Power FM radio broadcasting. In the United States, the lowest minimum wattage a licensed FM radio station may have is 100 watts. There are lower-power FM transmitters in use, though, by some stations who want to increase their coverage area by extending their signal. These are called translators or boosters.

While these may only have a wattage measured in a range from dozens to hundreds, they are not true broadcast stations by the FCC’s definitions – they do not originate their own programming. They rely on a “parent” station to provide what they air.

Ham (amateur) radio uses a similar system called a repeater; people don’t broadcast from it. They shoot a signal into it, and then it gets re-broadcast to an area larger than what ham operators might reach with their own gear. In a nutshell, translators and boosters are the repeaters of FM radio.

LPFM is the common term used to define an FM broadcast station that originates its own programming but has the power of a translator or booster. Under current FCC rules, operating such a station is simply not allowed. You may also see LPFM referred to by other terms – like “LPRS,” “microradio,” and “mini-FM,” but they all mean the same thing. Read More

Making Waves on Verge of Larger Distribution

Michael Lahey, the maker of what most likely is the best documentary yet-produced on the modern microradio/LPFM movement, Making Waves, has announced that the film is now available for free viewing online at Fancast (ironically, a Comcast-owned outlet).

In addition, Lahey says there’s a good chance that Netflix will pick up distribution of the documentary. Here’s how he says we can all help going about making that happen: Read More

Scene Report: California

Skidmark Bob e-mailed recently to let me know that Freak Radio Santa Cruz is hunting for a new broadcast-home (yet again). The FCC dropped a warning-letter on the owner of the property hosting the station’s transmitter (a common tactic that’s gained popularity in recent years), who was duly unnerved and prompted the box to travel.

In spite of last year’s schism, the station appears to be on strong footing and Bob’s confident they’ll have a spot post-haste. Given that Freak Radio long separated its studio from transmitter, the comfy digs remain intact, and the station’s still streaming online. Read More

Freak Radio Suffers Schism

It’s always a bit depressing (and heart-wrenching) to hear about the dramaturgy of grassroots community media; I’ve been involved in enough Indymedia, community radio, and media reform work to recognize (and be bitten by) the scourge of infighting.

Such a convulsion took place this autumn at Freak Radio Santa Cruz. The details are convoluted (as they always are), but apparently involve disputes over programming, the race card, and resultant collective factionalization.

In response to the apparent shattering of consensus on some basic principles that have steered the station for nearly 15 years, a few of Freak Radio’s founders have hung up the mic. Skidmark Bob produced his last FRSC-based PoP dEFECT RADIO program on October 13, and apparently others are scattering as well. Bob’s posted the farewell show up on his blog – where episodes of POP dEFECT (and other projects) will continue. It is well worth a listen. Read More